Lorem ipsumädolor
14:55
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Zweitblog gefällig?
Auf den ersten Blick erscheint das Gratisangebot journalspace des US-Hosters Lagomorphics verlockend. Ausprobiert habe ich es noch nicht, aber die Schraubmöglichkeiten am Aussehen erscheinen vielversprechend. Außerdem gibt es Polls, Fotogalerien, Linklisten und so weiter. Zur Registrierung ist lediglich ein Pseudonym und eine gültige E-Mail Adresse erforderlich. Und wo ist der Haken?
Vielleicht bei Punkt 13 der "Terms of Use":
Postings to the Service are not private. You grant journalspace the unrestricted right to use, reproduce, modify, translate, transmit, publish, and distribute any material you post to the Service in any medium (now in existence or hereafter developed), and for any purpose, including commercial uses, and to authorize others to do so.
Aber wen das nicht stört ...
Vielleicht bei Punkt 13 der "Terms of Use":
Postings to the Service are not private. You grant journalspace the unrestricted right to use, reproduce, modify, translate, transmit, publish, and distribute any material you post to the Service in any medium (now in existence or hereafter developed), and for any purpose, including commercial uses, and to authorize others to do so.
Aber wen das nicht stört ...
10:38
Greycard, mein neuer Spielplatz. Hier gibts das Foto versuchsweise ein paar Tage als Hintergrundtapete zum runterladen:
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desktop wallpaper
Greycard, mein neuer Spielplatz. Hier gibts das Foto versuchsweise ein paar Tage als Hintergrundtapete zum runterladen:
22:30
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Fotoblogger, was treibt dich an?
Weil es gerade so gut passt.
Kris Cohen erforscht Fotoblogging. Er stellt sich und uns in seinem heutigen Weblogeintrag einige Fragen (die ich frecherweise einmal komplett zitiere):
NEW METAPHORS FOR PHOTOGRAPHY? Translation. Mechanical translation. Collecting. Collecting butterflies. Pressing flowers. Each emerges from photobloggers in the ethnography of photoblogging and were conceived with some care. Try to think about them carefully; how might each be differently descriptive of how photography works? And how do they contrast with older figures for thinking about photography (e.g. memory, record, document, art)? Also: in each of these possible figures for photography, as their speaker draws them out, the photographer is merged with her/his device. So they aren't simply metaphors for the camera, or for how the camera acts on its subjects. They're metaphors for the wider activity of photoblogging, which includes: walking around town in a photographically receptive mode, taking photos, storing, organising, and uploading photos, and posting photos to one's blog. What's interesting to me (though maybe not new) about this is the way the metaphors fail to distinguish fully between the photographer (photoblogger) and the technology (camera). The quiddity of the camera's perspective is added to the quiddity of the photographer's perspective, and it starts to feel less relevant to talk about technologies as distinct from the people who use them. Where would one draw the line between one and the other, if one is thinking about the actions that each performs?
Kris Cohen erforscht Fotoblogging. Er stellt sich und uns in seinem heutigen Weblogeintrag einige Fragen (die ich frecherweise einmal komplett zitiere):
NEW METAPHORS FOR PHOTOGRAPHY? Translation. Mechanical translation. Collecting. Collecting butterflies. Pressing flowers. Each emerges from photobloggers in the ethnography of photoblogging and were conceived with some care. Try to think about them carefully; how might each be differently descriptive of how photography works? And how do they contrast with older figures for thinking about photography (e.g. memory, record, document, art)? Also: in each of these possible figures for photography, as their speaker draws them out, the photographer is merged with her/his device. So they aren't simply metaphors for the camera, or for how the camera acts on its subjects. They're metaphors for the wider activity of photoblogging, which includes: walking around town in a photographically receptive mode, taking photos, storing, organising, and uploading photos, and posting photos to one's blog. What's interesting to me (though maybe not new) about this is the way the metaphors fail to distinguish fully between the photographer (photoblogger) and the technology (camera). The quiddity of the camera's perspective is added to the quiddity of the photographer's perspective, and it starts to feel less relevant to talk about technologies as distinct from the people who use them. Where would one draw the line between one and the other, if one is thinking about the actions that each performs?
21:00
Und dann geht es ab.
Konversation auf fotolog.net, wo sich in der Tat auffallend viele Brasilianerinnen ausstellen oder von ihren Männern "präsentiert" werden.
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Why brazilian girl?
walb @ 2003-05-07 17:13 said:
ps: this is not a brazilian girl
deborawolf @ 2003-05-07 17:35 said:
Why brazilian girl?
virginie @ 2003-05-07 17:36 said:
hahahahahaha!!!! I like your PS!!!
walb @ 2003-05-07 17:37 said:
deb, can`t you see the brazilian girl has become a genre?
mijnweb @ 2003-05-07 17:41 said:
they should add the category `braziliangirl` as a public fotolog, just like `fotopets`.
deborawolf @ 2003-05-07 17:54 said:
sorry? ...Und dann geht es ab.
Konversation auf fotolog.net, wo sich in der Tat auffallend viele Brasilianerinnen ausstellen oder von ihren Männern "präsentiert" werden.
15:05
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Pinkeln als Kunstform
The work Pissoir celebrates the private, intimate, DIY act of pissing as a creative activity. This work provides all participants with a virtual canvas, giving them the opportunity to draw/paint their own works of art. Urine incident upon a sensor is sampled for its unique pH level; thus each participant leaves his/her own colour pH signature. In addition to the installation apparatus, the artists provide a small device to assist women in urinating precisely.
Pissoir - an interactive installation by Allan Giddy & Steven Greenwood
Pissoir - an interactive installation by Allan Giddy & Steven Greenwood
07:10
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International Cookfotoblogging
Das ist social software. Wir fotografieren unser Essen, schreiben das Rezept dazu und packen das ganze auf fotolog.net. Beispiele feiner internationaler Küche: whatscooking, cooking, comida, Jabá com Jerimum. Und bei MTV Jackass gab es einmal eine Folge, in der ein Omelett(e) zubereitet wurde.
19:21
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Wiwi = Naturwi
04:31
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Besoffen
Went to a party tonight. Got drunk. Danced. Left a note in a woman's shoe. She wasn't wearing it at the time. The shoe. It was under a chair. I had seen her leave it there. With her other shoe. Even drunk I'm paying attention. ...
Oblivio.
Oblivio.
19:09
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Lach jetzt!
Die Mädchen haben ganz andere Strategien. Eine Art Chaosstrategie. Man redet so lange, bis man wieder Recht hat.
Burkhardt Strassmann interviewt die Psychologin M. Bönsch-Kauke, die sich mit kindlichem Humor beschäftigt hat, in der "Zeit".
Burkhardt Strassmann interviewt die Psychologin M. Bönsch-Kauke, die sich mit kindlichem Humor beschäftigt hat, in der "Zeit".